Abstract
Conference keynote at REMOSS 2018. Explores notions of authenticity, tangibility, reproductions, experience and virtualisation within the context of music heritage and early music performance.
| Original language | English |
|---|---|
| Publication status | Published - 16 Jun 2018 |
| Event | 4th Annual Representations of Early Music on Stage and Screen - University of Edinburgh, Edinburgh , United Kingdom Duration: 15 Jun 2018 → 16 Jun 2018 Conference number: 4 http://blogs.bcu.ac.uk/remoss/files/2018/04/REMOSS-2018-Programme-Draft1.pdf |
Conference
| Conference | 4th Annual Representations of Early Music on Stage and Screen |
|---|---|
| Abbreviated title | REMOSS |
| Country/Territory | United Kingdom |
| City | Edinburgh |
| Period | 15/06/18 → 16/06/18 |
| Internet address |
Keywords
- early music
- performance
- virtualisation
- heritage
- virtual reality