Copies without originals

Martin Zeilinger

Copies without originals

Martin Zeilinger

Division of Games and Arts

Research output: Contribution to specialist publication › Featured article

8 Downloads (Pure)

Abstract

What does it really mean to author, to own, or to replicate art? The data- hungry mash-up engines of AI are eroding the value precepts of scarcity and individual expression at the heart of copyright law. Is this the occasion to reconsider the limits of private property systems, if not the very make-up of creativity?

Original language	English
Pages	139-143
Number of pages	5
Volume	77
No.	Autumn 2023
Specialist publication	Spike Art Magazine
Publication status	Published - 19 Oct 2023

Keywords

Digital art
Artificial Intelligence
Copyright
Intellectual Property
Generative art

Access to Document

Zeilinger_CopiesWithoutOriginals_Published_2023Final published version, 4.34 MB

Cite this

@misc{82a03545578249e3962a00ef3b10174c,

title = "Copies without originals",

abstract = "What does it really mean to author, to own, or to replicate art? The data- hungry mash-up engines of AI are eroding the value precepts of scarcity and individual expression at the heart of copyright law. Is this the occasion to reconsider the limits of private property systems, if not the very make-up of creativity?",

author = "Martin Zeilinger",

year = "2023",

month = oct,

day = "19",

language = "English",

volume = "77",

pages = "139--143",

journal = "Spike Art Magazine",

}

TY - GEN

T1 - Copies without originals

AU - Zeilinger, Martin

PY - 2023/10/19

Y1 - 2023/10/19

N2 - What does it really mean to author, to own, or to replicate art? The data- hungry mash-up engines of AI are eroding the value precepts of scarcity and individual expression at the heart of copyright law. Is this the occasion to reconsider the limits of private property systems, if not the very make-up of creativity?

AB - What does it really mean to author, to own, or to replicate art? The data- hungry mash-up engines of AI are eroding the value precepts of scarcity and individual expression at the heart of copyright law. Is this the occasion to reconsider the limits of private property systems, if not the very make-up of creativity?

UR - https://shop.spikeartmagazine.com/product/issue-77-autumn-2023-field-guide-to-ai

M3 - Featured article

VL - 77

SP - 139

EP - 143

JO - Spike Art Magazine

JF - Spike Art Magazine

ER -

Copies without originals

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Tactical entanglements: AI art, creative agency, and the limits of intellectual property

Cite this