Abstract
This essay is a shortened and updated version of "Digital art as ‘monetised graphics’: enforcing Intellectual Property on the blockchain," Philosophy & Technology 31.1 (2018), first published online in 2016. The original essay was published under a Creative Commons Attribution 4.0 license, and is freely available at https://link.springer.com/article/10.1007/s13347-016-0243-1
| Original language | English |
|---|---|
| Title of host publication | Vertiginous data |
| Editors | Eunji Park |
| Place of Publication | Seoul |
| Publisher | Korean National Museum of Contemporary Art |
| Pages | 210-221 |
| Number of pages | 12 |
| ISBN (Print) | 9788963032085 |
| Publication status | Published - 30 Apr 2019 |
| Externally published | Yes |
| Event | Vertiginous Data - Gallery 3, 4 in National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of Duration: 23 Mar 2019 → 28 Jul 2019 https://www.mmca.go.kr/eng/exhibitions/exhibitionsDetail.do?exhId=201902120001117 |
Exhibition
| Exhibition | Vertiginous Data |
|---|---|
| Country/Territory | Korea, Republic of |
| City | Seoul |
| Period | 23/03/19 → 28/07/19 |
| Internet address |
Keywords
- Blockchain
- DLT
- Digital art
- Intellectual property
- Articifial scarcity
- Copyright
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Dive into the research topics of 'Digital art and ‘meatspace scarcity’ on the blockchain'. Together they form a unique fingerprint.Research output
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Digital art as ‘monetised graphics’: enforcing Intellectual Property on the blockchain
Zeilinger, M., 1 Mar 2018, In: Philosophy and Technology. 31, 1, p. 15-41 27 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile110 Link opens in a new tab Citations (Scopus)156 Downloads (Pure)
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