Abstract
How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
| Original language | English |
|---|---|
| Place of Publication | Lüneburg, Germany |
| Publisher | Meson press |
| Number of pages | 186 |
| ISBN (Electronic) | 9783957961846, 9783957961853 |
| ISBN (Print) | 9783957961839 |
| DOIs | |
| Publication status | Published - 18 Jun 2021 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 10 Reduced Inequalities
Keywords
- Digital art
- Artificial intelligence
- Intellectual property
- Agency
- Creative agency
- Posthumanism
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Enchevêtrements tactiques
Zeilinger, M., 11 Oct 2024, Lettres ÉduNum Thématique, 24, p. 86-91 6 p.Translated title of the contribution :Entangled tactics in generative AI Research output: Contribution to specialist publication › Article
Open AccessFile -
Copies without originals
Zeilinger, M., 19 Oct 2023, Spike Art Magazine, 77, Autumn 2023, p. 139-143 5 p.Research output: Contribution to specialist publication › Featured article
Open AccessFile -
Responding to COVID-19 and the Climate Emergency through data-driven art
Zeilinger, M., 22 Mar 2022Research output: Non-textual form › Web publication/site
Open Access
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